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Home : Trade Secrets Archive : Issue 135, Mixing active and passive pickups in a jazz guitar
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Photo: Sammy on the couchLet’s get this guitar off the couch!
Mixing active and passive
pickups in a jazz guitar

My friend Sammy doesn’t like the sound of his archtop through an amp. “So I never take that guitar to gigs,” he says. “It’s a couch potato!
I only play it while watching TV.”
Dan Erlewine, March 17, 2011
Photo: Sammy on the couchSammy’s going to replace
his guitar’s original pickup.
He wants the best of both worlds: a Benedetto jazz humbucker, plus an active transducer in the bridge. The Benedetto suspended pickup is passive, so it needs no preamp. But Sam’s also bought himself a Fishman bridge with a built-in transducer. That involves a preamp and battery, usually installed inside the body through a soundhole like so:
Diagram: active and passive
This guitar’s f-hole design won’t allow that, so we came up with an outboard solution using a stereo Y-cable. We used the "Y" at the amp end, with the active signal going into a Baggs Para Acoustic DI preamp:
Diagram: active/passive
Stereo Y-cable
Photo: Saddlematic This guitar’s intonation was perfect, so before removing the bridge I made a record of the staggered string intonation points at the saddle. To do this, I used our Saddlematic tool in an unorthodox way: I put its pointers exactly on the two E strings, with a strip of clear plastic taped on the underside of the Saddlematic. On the plastic, I traced the remaining intonation points for the B, G, D, and A strings.
Saddlematic



String Action Gauge
Before removing the bridge I used a string action gauge to measure the string height at the 12th fret so I could duplicate the setup later with the new bridge.
Photo: Bridge fitting jigPhoto: copper shielding tape A new bridge base will rarely fit the archtop it’s intended for. You’ll need to fit it to the guitar top. The archtop bridge fitting jig is the tool for getting perfect results on this job.
Sammy also wanted to replace the guitar’s metal tailpiece with a lightweight ebony version. The Benedetto tailpiece installs with a fastener looped over the endpin, like a violin. For a string ground, I ran copper shielding tape on the underside of the tailpiece from the string notches to the brass nut on the tailpiece fastener — removing a bit of the plastic sleeve where the fastener hooks onto the metal endpin. A wire inside from the endpin to the output jack completed the ground.
Archtop Bridge Fitting Jig



Benedetto Archtop Tailpiece
Photo: setting intonation
Photo: filing the saddle I traced my clear plastic record of the original string positions onto the new bridge saddle. After filing the two E string slots, I used a string spacing rule to space the inner four string widths proportionally.
I roughed in the saddle shape with a chisel, then fine-tuned it with shaping files.
Nut and Saddle Shaping Files
Photo: hole for pickup lead
To hide the transducer’s output cable, I drilled a 1/8" hole through the bridge base and down through the top. I pressed a length of hollow brass tubing into the bridge base, with approximately 3/16" projecting through the bottom.
This not only served as a conduit for the wire, it also anchored the bridge so it wouldn’t shift from side to side (which had been an annoying problem for Sammy in the past). I snaked the transducer cable down this tube into the body, then back up through the treble F-hole to reach the pickguard-mounted volume control.
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Photo: Benedetto Jazz Pickup The Benedetto pickup’s mounting tab glues to the underside of the pickguard. This is a handmade pickup with a DC resistance of 9.5k — three times the output of Sammy’s old pickup! And the ebony color matches the new bridge and tailpiece.
Benedetto Suspended Jazz Pickup
Photo: Schatten controls There was already a volume control mounted on the pickguard, but Sammy didn’t want any additional knobs in the way of his picking hand.
For the transducer, I mounted Schatten 500k thumbwheel volume/tone controls under the pickguard. Now each pickup has its own independent control. Their output cables travel through the F-hole to a stereo output jack on the side of the guitar.
Schatten Thumbwheel Controls
Photo: Baggs Para Acoustic DI L.R. Baggs Para Acoustic DI
We tested the system using my old Gibson GA-6 amp. One plug from the Y-cable ran the humbucker directly to one channel on the amp. The other plug connected the Fishman bridge to the Baggs Para Acoustic DI preamp
Photo: Sammy on stage Let’s find out what Sammy thinks...
Hey Sammy, is it sounding good enough to take onstage now?
Sammy? Sammy?

He can’t hear me over the guitar, so it looks like Sammy’s happy!!
Problem-solving products for this kind of work:
Nut and Saddle Shaping Files
Specialty files for smoother, easier nut and saddle shaping.
Benedetto Suspended Jazz Pickup
Specially designed pickup for archtop jazz guitars.
L.R. Baggs Para Acoustic DI
A phenomenally useful and great sounding preamp at a fantastic price.
More More More
Nut and Saddle Vise
A better way to hold nuts and saddles for easier, faster shaping.
Schatten Thumbwheel Controls
Convenient controls mount unobtrusively beneath a raised pickguard.
Archtop Bridge Fitting Jig
Getting a close-fitting contour on the bridge feet is critical to the sound of an archtop instrument.
More More More

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