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An experiment, and it worked! |
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| To correct a bad repair on these nasty cracks, I mixed up some red-tinted epoxy Boy, this 1960 Les Paul looked like trouble when it came in the door: deep cracks through the body that somebody had already tried and failed to fix. It took two glues to set things right...
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Fixing somebody else’s fix:
The previous repair was done with superglue, which would have worked if it had really gotten down into the cracks. Fresh water-thin superglue will wick its way into a glue joint, but this glue had been too thick (maybe too old): it just sat on the surface and left the deep cracks untouched. |
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I had to chip away a lot of dried superglue before I could start the repair. A fresh single-edged razor blade, held almost flat, slid under the edge of the glue lifting it from the bare wood and finish beneath it. Superglue removes easily from dirty or oily surfaces, which this guitar had plenty of. |
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Two glues: One down deep, one to match the cherry red |
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For gluing the deep splits through the mahogany body, I used hot hide glue. For repairing the finish, I tried something new: slow-setting epoxy tinted with ColorTone stain. |
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Hot hide glue into the cracks To push open the cracks in the control cavity wall, I made a turnbuckle from a bit of threaded rod in a hex connector. A scrap of wood and a half of a dowel protected the body while I cranked it open just enough to flood the cracks with hot hide glue. I used some thinned-down glue first, so it penetrated deep, then followed that immediately with normal viscosity. |
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Here’s a neat trick: I pumped glue into some cracks by pressing on it with a small suction cup like the one holding the thermometer on my kitchen window (which I promise to replace before Joan gets home). I let the hide glue dry overnight. |
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Clear red epoxy drop-fills The next morning, I scrubbed away any hide glue residue using a rag dampened with hot water, then left the guitar to dry again for several hours. For smaller finish repairs, I often use what I call a superglue drop-fill technique. This situation was different: for these large chips and deep cracks, I used slow-set epoxy. The slower working time and thicker viscosity were suited to this job. And I tried something new: by adding red/brown stain, I had a gap-filling repair that blended right into that Gibson red finish. |
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I used very little color and very little acetone, lifting the glue off the lid with an angled drop-fill toothpick and adding it to my already-mixed epoxy. With the toothpick, you can pick up and move the epoxy, even level it a little while it flows into position. Burst any air bubbles (they look like tiny sharp points deep down in the glue), and let it dry for a minimum of two hours. I try to fill a crack with a single application, but some of these canyons required a second coat. That worked fine, and it didn’t leave a visible line between the two applications of glue. |
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After the fills dried overnight, I leveled them with nut and saddle files using each grit in order, and stopping before hitting the surrounding finish with a file. I followed up the filing with 320-grit gold sandpaper held on a rubber sanding block with double-stick tape. I also used the 320-grit on a flat board when needed to knock down particular high spots. |
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Last step: crack it up again! After fine-sanding the work area up to 2000-grit, I buffed it smooth with medium buffing compound, and then swirl-mark remover. My new finish fixes weren’t quite done: all the old finish around them was checked with age filled with a spider web pattern of cracks. By scratching with a sharp X-ACTO point, I added checkmarks to make my new work fit in with the old. A quick polish (without silicone) and I'm done! |
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Problem-solving products mentioned above: |
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